Justin Paul Ritter

The Road I'm Traveling

Some people go through life on a quest to find their purpose. Unsure of where they fit and how they can contribute, they leap-frog through the years trying this and trying that. But I've never had that problem. I'm a story teller. Have been and always will be. Regardless of the medium or the intended audience, my purpose is to reach people, inspire them, make them think and make them act. From online and print content to full-length feature films, I've shepherded 100's of projects to completion, safeguarded budgets of up to 8 figures and reached millions of people. Do you have the need to reach someone? If so, let me know how I can help.

Email: justin@justinpaulritter.com

Justin Paul Ritter

Greatest Hits

  • Wrote, Directed and Produced a feature-length animated movie that was world premiered to a standing-room only crowd at San Diego Comic Con
  • Managed over 100 team members simultaneously across two countries while preparing a Taiwan-based animation company for take-over by Lucas Films International
  • Lead world's second largest online BMX-only bicycle store to their best holiday sales year in the company's history, with dollar-for-dollar sales total improved by more than 100% compared to previous best year
  • Cut man-hour requirements company-wide by more than 25% through implementation of improved management strategies
  • Implemented marketing practices which have yielded a more than 300% growth in both social media following and newsletter subscription rates over a three year period

How I Get Things Done

Over the years, I've had the tremendously good fortune to work with and for some amazing creative minds, brilliant technicians and penny-perfect administrators. From each of these experiences, I've attempted to learn and take away lessons and strategies to inform my own approach to work. Now when stepping into any specific job posting, I make sure to prioritize bold creativity, strong technical knowledge or administrative perfection, while never forgetting that all three of these elements are necessary to maintain balance and achieve the goals set before me. Most importantly, I've discovered and try to keep at the forefront of my mind the critical role that personal relationships and interpersonal skills hold at the center of all work situations.

Approach To Work Chart Interpersonal
Hover on the blue dots / lines to see what I've been up to.*
Timeline Head
Timeline 2016
 
2013-Present - Photographer, Image Technician, Web Design, Graphic Design and Video Production
Company Name: J&R BICYCLES
In service of my larger positions of Marketing Director and E-Commerce Manager for J&R Bicycles, working with Adobe Creative Suite is a regular part of the workflow. From small form web content to double-page print ads, I light/shoot photos, prep layouts and conform the final results to whichever format is required on a given project. Additionally, I light/shoot videos, record audio and manage all creative/technical steps required to complete and upload final products to the world wide web.
 
2013-Present - E-Commerce Manager
Company Name: J&R BICYCLES
Created plan for and then managed a complete and total back-end/front-end overhaul for the world’s 2nd largest BMX-only bicycle store. From a significantly improved user experience that has decreased bounce by more than 20% and increased conversion rate by nearly 30%, to an integrated order fulfillment pipeline that has reduced required man-hours by more than 25%, this company’s e-commerce business has gone from old-school to cutting-edge under my management.
 
2013-Present - Marketing Director
Company Name: J&R BICYCLES
Created concepts and completion strategies for dozens of print ad campaigns for multiple national magazines, 100’s of pieces of social media content, over 100 email newsletters, dozens of web banners and a broad range of promotional marketing materials including t-shirts, postcards, business cards, sticker sheets, drawstring bags, showroom displays and more. Also implemented Google Analytics, Google Adwords, Remarketing, Geo-Targeting, Customer Segmentation, A/B testing and several custom reporting tools to improve traffic, revenue and overall recognition of the brand.
Timeline 2015
Timeline 2014
Timeline 2013
 
The Living Corpse Movie Poster
2008-2013 - Director
Company Name: Shoreline Entertainment with Anchor Bay Entertainment
Project Name: THE LIVING CORPSE (aka THE AMAZING ADVENTURES OF THE LIVING CORPSE)
Produced, wrote and directed the world's first CG-Animated Stereoscopic 'Real-D' 3D feature-length zombie movie. Was invited to World-Premiere at San Diego Comic Con 2012.
 
The Living Corpse Movie Poster
2008-2013 - Producer
Company Name: Shoreline Entertainment with Anchor Bay Entertainment
Project Name: THE LIVING CORPSE (aka THE AMAZING ADVENTURES OF THE LIVING CORPSE)
Taking what I had learned in the low-budget film world and combining it with the experience I had gained while working with Double Edge Entertainment/Vanguard Animation, I was able to create and manage a meticulous plan that allowed us to accomplish something that most people had told me would be impossible.
 
The Living Corpse Movie Poster
2008-2013 - Storyboard Artist, Editor, Technical Director, Camera/Lighting Artist, Character Rigger, Natural FX Animator, Modeler, Texture Artist, Compositor, Colorist, Title Artist and '3D' Stereographer
Company Name: Shoreline Entertainment with Anchor Bay Entertainment
Project Name: THE LIVING CORPSE (aka THE AMAZING ADVENTURES OF THE LIVING CORPSE)
With over 1,500 shots and a run-time of approximately 90 minutes, high pressure multi-tasking was the name of the game. And it was a fun game! From the job list above, it looks like I did everything myself, but actually my contributions were just a part of what it took to bring this movie to life. When I wasn't sitting in front of Final Cut Pro, Digital Fusion, Lightwave, Vegas or one of the other software tools getting my hands dirty, I'd be tracking the workloads of the rest of the team and working to keep the entire team on the right path.
 
The Living Corpse Movie Poster
2012-2013 - Movie Release Promotional Manager
Company Name: Shoreline Entertainment with Anchor Bay Entertainment
Project Name: THE LIVING CORPSE (aka THE AMAZING ADVENTURES OF THE LIVING CORPSE)
Created everything needed for drawing attention to the movie leading up the official DVD/BluRay release, including final release trailers, teasers, posters, DVD face artwork, DVD liner, DVD sleeve and more.
Timeline 2012
 
A Gothic Tale Movie Poster
2011-2012 - Festival/Convention Campaign Manager
Company Name: Shoreline Entertainment with Anchor Bay Entertainment
Project Name: THE LIVING CORPSE (aka THE AMAZING ADVENTURES OF THE LIVING CORPSE)
Created everything needed for applying to and making a splash at film festivals around the world, including trailers, teasers, posters, postcard, business cards, promotional t-shirts and more.
Timeline 2011
Timeline 2010
Timeline 2009
Timeline 2008
Timeline 2007
 
A Gothic Tale Movie Poster
2006-2007 - Director
Company Name: Shoreline Entertainment with Lacy Street Entertainment
Project Name: A GOTHIC TALE
Contracted to write and direct this HD movie specifically for international release. Combined three pieces of gothic literature into a single 'gothic tale'. Worked with Hollywood and Sports Entertainment Icon 'Rowdy' Roddy Piper.
 
A Gothic Tale Movie Poster
2006-2007 - Producer
Company Name: Shoreline Entertainment with Lacy Street Entertainment
Project Name: A GOTHIC TALE
Handled all pre-production planning, managed day to day production during principal photography, then supervised post-production from the rough edit through final deliverables creation.
 
A Gothic Tale Movie Poster
2006-2007 - Editor, Color-Correction Artist, Motion-Graphic/End-Title Artist and Clean-Up Compositor
Company Name: Shoreline Entertainment with Lacy Street Entertainment
Project Name: A GOTHIC TALE
Used Final Cut Pro, Lightwave, Digital Fusion and Adobe After FX to handle every technical/creative step of post-production from rough cut to final deliverables.
 
A Gothic Tale Movie Poster
2007 - Festival/Convention Campaign Manager
Company Name: Shoreline Entertainment with Lacy Street Entertainment
Project Name: A GOTHIC TALE
Created everything needed for applying to and making a splash at film festivals around the world, including trailers, teasers, posters, postcard, business cards, promotional t-shirts and more.
Timeline 2006
 
2005-2006 - Production Breakdown: Budget and Schedule Creation
Company Name: Double Edge Entertainment with Vanguard Animation
Project Name: VARIOUS TITLES: ANIMATED
Created budgets and schedules for large-scale multi-national animated feature-length film productions. From org charts and workflow diagrams to detailed cost breakdowns and element-by-element time-tables, every frame of these movies was accounted for in advance.
 
Katiebird Movie Poster
2006 - Movie Release Promotional Manager
Company Name: Shoreline Entertainment with Heretic Films
Project Name: KATIEBIRD*CERTIFIABLE CRAZY PERSON
Created everything needed for drawing attention to the movie leading up the official DVD release, including final release trailers, teasers, posters, DVD face artwork, DVD liner, DVD sleeve and more.
Timeline 2005
 
2004-2005 - Visual FX Producer
Company Name: Double Edge Digital with Lion's Gate, Paramount, History Channel and more
Project Name: VARIOUS TITLES
Worked with teams in California and Taiwan preparing breakdowns/budgets/schedules, supervising day-to-day production and managing render pipeline and final delivery for over 500 shots including CG animated creatures, digital human doubles, motion-capture, key-frame animation, radio-triangulated camera tracking, synthetic pyrotechnics, digital matte paintings, green-screen compositing and much more.
 
Katiebird Poster
2005 - Festival/Convention Campaign Manager
Company Name: Shoreline Entertainment with Heretic Films
Project Name: KATIEBIRD*CERTIFIABLE CRAZY PERSON
Created everything needed for applying to and making a splash at film festivals around the world, including trailers, teasers, posters, postcard, business cards, promotional t-shirts and more.
 
The Hillside Strangler Movie Poster
2005 - On-Set Photographer
Company Name: Tartan Films with Dark Light Films
Project Name: THE HILLSIDE STRANGLER
Photo documented behind-the-scenes activities of the special make-up fx department for use in promotion and marketing. Snapped, Color-Corrected, Cropped and delivered over 1,000 photos.
Timeline 2004
 
Katiebird Poster
2003-2004 - Director
Company Name: Shoreline Entertainment with Heretic Films
Project Name: KATIEBIRD*CERTIFIABLE CRAZY PERSON
Self-produced, wrote and directed this indie cult hit. Was invited to screen at dozens of film festivals and featured in several magazines including FANGORIA and AMERICAN CINEMATOGRAPHER.
 
Katiebird Poster
2003-2004 - Producer
Company Name: Shoreline Entertainment with Heretic Films
Project Name: KATIEBIRD*CERTIFIABLE CRAZY PERSON
Handled all pre-production planning, managed day to day production during principal photography, then supervised post-production from the rough edit through final deliverables creation.
 
Katiebird Poster
2003-2004 - Editor, Color-Correction Artist, Motion-Graphic/End-Title Artist and Clean-Up Compositor
Company Name: Shoreline Entertainment with Heretic Films
Project Name: KATIEBIRD*CERTIFIABLE CRAZY PERSON
Used Final Cut Pro, Lightwave, Digital Fusion and Live Motion to handle every technical/creative step of post-production from rough cut to final deliverables. Was featured in AMERICAN CINEMATOGRAPHER for producing cutting-edge post-production results on a micro-budget.
Timeline 2003
 
Gods and General Movie Poster
2002-2003 - Visual FX Coordinator
Company Name: Warner Bros. with Turner Enterprises, Inc.
Project Name: GODS & GENERALS
Worked on location in West Virginia and Canada. Built and maintained a team spanning 3 countries, 4 states and over 50 artists. Worked with Entertainment Icon Ted Turner.
Timeline 2002
 
Gods and General Movie Poster
2002 - Green-Screen Compositor and Wire Removal Artist
Company Name: Warner Bros. with Turner Enterprises, Inc
Project Name: GODS & GENERALS
Used Combustion, Digital Fusion and Adobe After FX to prepare multi-layered green-screen composites of battlefield action and to remove wire-harnesses from stunt-men who were 'blown up' during certain sequences.
Timeline 2001
 
Bundy Movie Poster
2001 - Production Breakdown: Budget and Schedule Creation
Company Name: Tartan Films with First Look Pictures
Project Name: BUNDY
They wanted to make a $5M movie, but only had $1M to spend. I created a plan that put them well under their $1M budget without having to sacrifice any of the quality they were striving for.
 
Josie and the Pussycat Movie Poster
2001 - Visual FX Coordinator
Company Name: Universal Studios with MGM
Project Name: JOSIE AND THE PUSSYCATS
Worked with cinematographer, Matthew Libatique, and Kodak Cine-Site to create digital-intermediate color-correction workflow. This was the first film produced by Universal to use this approach to film-finishing, and among the first in the world.
Timeline 2000
 
The 6th Day Movie Poster
2000 - Production Breakdown: Budget and Schedule Creation
Company Name: Sony/Columbia Pictures
Project Name: THE 6th DAY
Worked with Roger Spottiswoode and Arnold Schwarzenegger to create a comprehensive plan for an isolated unit to re-shoot the entire finale sequence for the movie. Spottiswoode wanted something more dynamic and futuristic; Schwarzenegger wanted something BIGGER and LOUDER. But both knew they had already spent nearly all the available money. Using my combined experience with low-budget production and cutting-edge visual fx, I was able to put together a reasonably budgeted plan to satisfy the creative needs of both.
 
The Flinstones Movie Poster
1999-2000 - Visual FX Coordinator
Company Name: Universal Studios with Amblin Entertainment
Project Name: THE FLINTSTONES IN VIVA ROCK VEGAS
Prepared technical breakdowns and $10.3M financial cost projection for over 200 visual fx shots, including CG Animated characters, matte paintings, green screen composites and more. Final deliverable elements were turned in ahead of schedule and within less than $100 difference from the original projections.
 
Ed Gein Movie Poster
2000 - Post-Production Supervisor
Company Name: Tartan Films with First Look Pictures
Project Name: ED GEIN
Created budget and schedule for all post-production deliverables creation, including tape masters, audio separations, titles, end credits, continuity script and more.
Timeline 1999
Timeline 1998
 
Black Scorpion Poster
1998 - 2nd Unit Director
Company Name: Roger Corman Studio (Concorde/New Horizon) with Sci Fi Network
Project Name: BLACK SCORPION TV SERIES
From storyboards to film in the can, directed all location and action/fx related sequences for 10 episodes. Worked with a range of Hollywood Legends, including Adam West, Frank Gorshin and Soupy Sales.
Timeline 1997
 
1997 - Director
Company Name: River Dance Pictures
Project Name: THE LAST BLUFF (working title)
Wrote and directed this dramatic art-house film shot on 35mm film and edited 'the old fashioned way' with workprint dailies and splicers. Premiered at AFM 1997.
 
1997 - Production Supervisor
Company Name: Roger Corman Studio (Concorde/New Horizon)
Project Name: VARIOUS TITLES
Worked alongside the Studio Head to make critical staffing decisions and oversee all Producers, Production Managers and Production Coordinators to ensure uniformity in workflow and management style/strategies.
Timeline 1996
 
1996 - 2nd Unit Director
Company Name: Roger Corman Studio (Concorde/New Horizon)
Project Name: EXPOSÉ/ENEMY ACTION
From storyboards to film in the can, directed all location and action/fx related sequences for both of these movies. Worked with Hollywood bad-guy Richard Lynch and former Brat-Pack star C.Thomas Howell.
 
Robin Hood Movie Poster
1996 - Production Coordinator
Company Name: Warner Bros International T.V.
Project Name: THE NEW ADVENTURES OF ROBIN HOOD
Lived and worked in Lithuania for pre-production, principal photography and post-production of 6 episodes. From peanuts to permits, made sure that every episode coming through the studio was organized, outfitted and properly handled with regard to insurance, contracts, purchase orders, payroll, budgets, schedules and more. Sourced crew and equipment from all over the world, with cameras coming from Switzerland, Light and Grip equipment from Germany, Make-up/Wardrobe materials from the U.K., Green-Screen/Pyrotechnics/FX Rigging from the U.S.A. and more.
Timeline Foot

Career Strings

  Directing

Having big ideas is great. Knowing how to communicate big ideas in a way that allows your support team to do their best work while breathing life into a singular vision is Directing. Bold and original creative thinking reigns supreme here, but solid technical understanding of what you're asking from your crew and being able to prioritize and adapt based on that understanding so that everyone can accomplish their workloads in a structured way is just as important.

  Producing

Money, money, money money. It's not all about the money, but, well, sometimes it's all about the money. Knowing what it will cost to take a big idea and drive it to the finish line within a predetermined time-frame is Producing. If ever there was a place for micro-management this is it, but the only way to be a good micro-manager is to have a firm grasp of the creative concepts behind the big ideas and understand the technical means by which those big ideas will be layered into life.

  Visual FX

Computers, mathematics, complicated problem solving and monsters. Lots and lots of monsters. But it's also a high pressure environment that demands an intense dedication to cutting edge and cutting costs. Being a techie guru with a few cool ideas is a big part of it, but successfully managing teams of people spread around the world and holding each of those people accountable on a frame-by-frame and pixel-by-pixel basis is the difference between a finished product and a work-in-progress.

  Artist / Technician

Having a focused mission with a very clear and narrow goal allows me to slip into a meditative state where I'm simply clicking and creating. Each software is like another plane of existence that I travel to. I can get lost in Adobe Land or Lightwave World for hours and days and weeks at a time. But it takes a real artist to have enough self-management and respect for the rest of the team to pull yourself back into reality and meet your deadlines while delivering work that fits in with the overall aesthetic of the given project.

  E-commerce

From the first time I read about how powerful the internet had been in driving the success of 'The Blair Witch Project', my mind was opened to and intrigued by this new channel for reaching people. Just like making a movie or writing a song, creating a concise and unique vision for an online brand and putting together a user-friendly experience that captivates and motivates a target audience to act fulfills the part of me that constantly seeks to reach and inspire people.

  Marketing

This isn't at the bottom of the list because it's the lowest priority. It's here at the bottom, because it serves as the foundation for everything else that I've ever done professionally. Whether it be marketing myself, my ideas, one of my movie projects or the many companies and/or products I've been involved with helping to promote through the internet, coming up with a concept and strategy for getting people excited about something they didn't previously know about or perhaps had once known about but since forgotten is and has been an essential element of my career from the beginning.

*This section represents many of the work experiences I've had, but not all. If you'd like to know more, don't hesitate to contact me directly.

On Learning

Learning is a never-ending journey. Growing through knowledge is a key to being successful in life and work. I would never allow the lack of familiarity with a given concept, technique or skill to stop me from accomplishing something that has been set before me.

Hardware/Software Skills

HARDWARE

  • Digital Cinema Cameras (Red, Arri, Panavision)
  • DSLR Cameras (photography and video)
  • Analog and Digital Audio Mixing Boards (various)
  • Live Video Switchers (Newtek TriCaster)
  • Steadi-Cam / Glide-Cam
  • Camera Dollies (Chapman, Fisher and various sliders)
  • Handheld Rigs

CREATION SOFTWARE

  • Avid Media Composer
  • Final Cut Pro
  • DVD Studio Pro
  • Adobe Creative Suite (image and video related tools)
  • Newtek Lightwave
  • Eyeon/Black Magic Digital Fusion

MANAGEMENT SOFTWARE

  • Microsoft Office
  • Smartdraw
  • Proofhub
  • Movie Magic Budgeting
  • Movie Magic Scheduling
  • Eyeon/Black Magic Generation

E-COMMERCE TOOLS

  • Magento
  • CubeCart
  • OpenCart

MARKETING TOOLS

  • Google ( Analytics and Adwords)
  • Facebook Power Editor
  • Facebook/Instagram/Twitter/Wordpress (basic usage)
  • Mailchimp
  • Springbot
  • Adroll
  • Listrak

Things Most People Don't Know About Me

  • Was featured as 'Omellete Boy' in a series of IHOP commercials
  • Was band leader and booking manager for a rock'n'roll outfit that played the CT club scene
  • Have written and ghost-written over 20 screenplays, 7 of which have been produced
  • Have traveled to 7 countries outside of the USA and lived/worked in 4 of them
  • Good with Reptiles
Chilly The Lizard
eye on you

Melting Faces Around The World Since 1996

email justin@justinpaulritter.com